check out Laish

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Needless to say, please go visit the band’s websites as I post these xmas videos and buy their music. I KNOW some of you out there still haven’t finished your holiday shopping This very Scottish track caught my ear tonight and I had to share it with you all. I had a twitter exchange with a friend this week that reminded me of how much we love finding new music and of how sick to death I am of major label artists who put out album after album the same old thing. That’s not to say that all established musicians lack creativity and courage – not at all, but I just can’t bring myself to hype the latest regurgitation of whatshisname just because some major corporation has put a shit ton of money into it. THIS here product by The Moth and the Mirror, who are are: Stacey Sievwright (The Reindeer Section, Arab Strap), – Vocals; Guitar; Gordon Skene (Frightened Rabbit) – Guitar, Vocals; Louis Abbott (Admiral Fallow, Song of Return) – Guitar/Vocals; Kevin McCarvel Smoke Jaguar) – Bass; Iain Sandilands – Percussion; Peter Murch – Drums), is not only new music by some new people and some seasoned musicians, but it SOUNDS new and exciting, yes? I like its dark moodiness and the way it doesn’t all wrap up happy in the end, like French movies. We americans are always looking for that happy ending, it’s so boring. This track, this is hardly boring. xoxo The Wake mp3 Merlin Wall Crushin’ From Afar…. download it FREE …. come see them at Taste of Randolph, Sunday at 3:30, Main Stage East and at the Double Door June 30. So I like bucking the trend, not reading my email, not knowing if I’m covering a band that’s solicited my attention or not. Why not, eh? It’s Saturday, I’ve worked hard all week, had my various commuter adventures that really should be forgotten and now I’m feeling rebellious. And I bring to you this band that I tripped over on my way to the Taste of Randolph St. For you out-of-towners (which frankly is 90% of my 5 current readers) Chicago is full up of wonderful street festivals which feature not only great food and shopping goodies but also, and most importantly, awesome bands. And on the various schedules for these glorious festivals you may find links to the bands scheduled to play. On such a page I found this link to a band named Merlin Wall. What hooked me was not the name, not the pretty album cover, but these words: ” surf-punk slackers.” Yes, darlins, I’m just that easy. Their bandcamp page is truly a treasure trove of slick, chilled-out tunes which feature a good amount of guitar grinding and vocal distortion to please the 80s punk girl in me. Merlin Wall stays true to the part of punk aesthetic that require simple bass lines and repetitive beats. But don’t be fooled, it’s all indie. Dispassionate vocals and angst-ridden lyrics betray that middle-class anomie that will always cause this generation to cry nostalgically into their PBRs. Now if we can just get them to wipe that smirk off their faces the rest of the time we might feel for them sometimes, eh? Don’t let that stop you from enjoying Merlin Wall. There’s plenty of clashing and crashing to really say something here. I’d recommend this album to you to buy, even if they hadn’t gone and given it away for free – the fucking slackers, xoxo
I AM catching more shows lately and that is fantastic! Last weekend I got to drool over Jessica Lea Mayfield and Nathaniel Rateliff. It was their very last show of a very long tour and you know those gigs are so special. I’m always thrilled to catch those moments, I’ve caught a few and they are magic. I know if you’re reading this you must know Ms. Mayfield, she’s one of my favorite young artists and always manages to stab me in the heart with her syrupy sad songs. She grows more beautiful each time I see her, both as a person and as a musician. Even singing those songs she debuted three or so years ago now, she brings such heartfelt agony to it all over again. Her album was one of the first I played once I got my turntable set up in my new apartment. Get it if you don’t have it! And, have you heard Nathaniel Rateliff? Wow, I was so pleasantly bowled over last weekend by his set. I’ve heard him before, from much further away at a bigger venue and I liked him. But this time, closer up, his personality just pushed the whole thing over the edge in a good way. His songs were really organic, like something unrehearsed and unrefined (again in that good way) even though his voice is well-trained and it’s clear he puts much time into the craft of songwriting and performing. I think the lack of pretense in his music is simply a reflection of the lack of pretense in the person. I was ready for that on Saturday night, and it was a perfect companion to the slight distance that his tour mate keeps to her audience, (with good reason and to wonderful effect). I don’t know why I don’t have his album. And I’m kicking myself for not buying the LP, In Memory of Loss that night. Damn friends of mine rushed me out into the rain! No, actually, it was crowded and obnoxious and I rushed them out, I think. Ha! What will this weekend bring? Damn, I wish I had taken the time to reply to my emails and set up a schedule to see shows. I’ve got invites I’ve neglected, requests for coverage of bands and artists both local and from afar. I think I might really need to get serious about bringing in another writer full-time. Here, have this little fun thing I got in my box today. I’m gonna use it as music to work by. Sometimes you need stuff like this for to put in your head while you do those repetitive tasks you do at the kind of job I have… click this box, type that phrase, close that window, check that page,… and repeat. Why they pay me this much to do that I cannot fathom. But this music makes it a whole lot more bearable. Sea Things A.M. mp3 (when I find out more info on this I’ll let you know where to find the album, xo) UPDATE: get the album for FREE, on Sea Things bandcamp page xo Ink On The Page mp3 …. Figures of Speech/Ink On The Page 7″… pre-order it!! (it’s gonna be a pretty multi-colored, limited-edition) Phil and the Osophers are a band I love for the simple reason that it took me a while to really “get” them but once their sound sunk in, I truly got it. I appreciate stuff I have to earn, you too? Well, this music isn’t all that hard to get for most people, it’s lazy-feeling, retro, incredibly catchy. Everything I’ve heard from them reminds me of 1950s Italian movie soundtracks (or American spoofs thereof) but in a good way. Phil’s vocals slide around the melodies in a characteristic manner – you immediately know it’s a Phil and the Osophers’ song. The instrumentation is deceptively off kilter. The percussion is insanely odd at times, perfectly sublime at others. The guitar work is just the way I like it: jangly, twangy, sharp and sweet, all at once. You can dance to it. Go ahead, I dare ya. This new single, “Ink On The Page” is a track that easily fits in with those on Parallelo (if you don’t own that, go get it now, it’s the perfect summer album.) We Have All Summer mp3…. Parallello … buy it! Phil tells me there’s new music coming down the pike, they’ve been working on a new album for a while now. I’ve had the pleasure of hearing two tracks that might make their way onto it. Both are fantabulous, this band continues to evolve leaving me comfortable knowing they will continue to produce music I love. Learning How To Hang mp3 … Sumer Time Hits… buy it!
Tour Dates
Cameron McGill weaves this multi-textured track entitled “Houdini” into a memorable piece that flows easily into your Saturday afternoon. The extensions and pauses and hesitations only make the eventual releases that much more, well… a release, like the way that holding your breath feels so good in the letting go of it. The more I listen to this the more I hear a bit of angst, a bit of the wanderlust the press release wants me to hear, and a whole chunk of talent that is finding its place in time and space on this album. Cameron McGill might be known to some of you as keyboardist for Margo and the Nuclear So and So’s but Is A Beast will firmly ensconce him in your musical memory as a soloist (and dare I say crooner?) all on his own. It’s equal parts smooth and syrupy with a kick in the pants exactly where it’s needed. Is A Beast is an album that blooms into something more than what it began to be. The pacing is important, the promise of a nice, edgy, pop-ish indie record is gradually eroded by McGill’s vocals as they slide over notes both high and low, melancholy and beautifully bluesy. By the time you reach the harmonica’s wail on track 7, “Sad Ambassador,” this album has grabbed your attention in an entirely different way than you first imagined. I anticipate Cameron McGill & What Army doing just that when they come to Schubas on April 29th. I suggest you be there, xoxo Stream the whole album here. Cameron McGill on twitter and on facebook and on last.fm Tour Dates |
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