This is an online music fan zine. Please support music and musicians by going to shows, purchasing CDs, buying a damn T-shirt!

All mp3s are posted here with permission from the artists/labels/PR folks, and for a very brief time. If you have any issues with content on this zine please email me; atartytart@gmail.com I'm addicted to my Iphone, darlins'... I'll get back to you.

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just because this amused someone....

I give you….

thanks to Puppet Show for finding it!

and here’s two mp3s I found from a live show Yo Zushi did in London last Feburary, 2009, courtesy of MusicBorn which is a community of folks who tape live stuff. (these aren’t mixed so you’re getting just a live feed here.)
Hallelujah I’m A Bum mp3
Seven Sleepers mp3

Moneytree: The Great Indoors III


aaaaaaaaaaaaannnnndddddd we’re back………….. after taking a much needed “break” I’m thinking on musical terms again.

Today we have Moneytree, a quartet from Southampton, UK, who have undergone some lineup changes over the years but seem to cleave to brothers Campbell and Ollie Austin. They’re just finishing up a UK tour to promote this EP, the third in a triptych, The Great Indoors III. You’ll hear a myriad of sounds and influences in these seven tracks, everything from American indie to modern jazz and math rock as well as a nice kick in the pants (trousers) of popular pop-punk. Their first two installments in the triptych, The Great Indoors, aptly named The Great Indoors I, and The Great Indoors II (with collaborations featuring Mumford and Sons, Mystery Jets, The Holloways, Modernaire and Sotones music co-op: Moulettes, Lonely Joe Parker, Jackie Paper (Thomas Tantrum), Haunted Stereo, and Peter Lyons.) I couldn’t find much in the way of reviews of either of those, and that’s a pity because this band does one thing that I love: they clearly have the “thing,” to write those radio-friendly, hook-laden pop songs, yet they also have the “other thing,” which is enough curiosity still to be bored by those songs. It’s the same way with some Chicago bands I love, Maps & Atlases, or Joan of Arc, which provide so many technical delicacies and melodic twists to compliment their solidly good songs. I can just see them sitting around in a practice session and saying, “Well we could do it that way, but why would we when we can go this more interesting route.”

Reviewed by Drowned in Sound back in January of 2006, Moneytree was presented as an odd if not slightly unpredictably volatile bundle of energy to watch out for in the coming year. I think you’ll see from the videos below a little of what they were impressed/afraid of. Go buy this new EP, it’s out today, and it is stunning. Seven tracks, all different from the other and fitting together nicely. I’d venture to guess that this band has matured and perhaps harnessed some of that kinetic force. For what I hear on this EP is certainly not tame, not what most casual listeners would choose to put on their workout mixtapes. But it’s interesting, and captivating to anyone who listens to music intently and appreciates those twisty, unexpected paths.
(go to their MySpace page for show dates if you’re in the UK, you lucky bastards)

Moneytree – The Science of Gambling by abadgeoffriendship

Thank you for your patience, I’ve missed you all! It’s been very lonely without new music and your lovely eyes and ears to join me on this page of discovery. I’ve put some hard thought into a lot of things, both the obvious, and also on the direction of this blog and what it should say and might say and so on. It always is just really a reflection of my life, and my taste, and what crosses my path. You who have been reading me for a while now know that. You who have just popped in recently should know that when skimming through these many words to learn about the band I’m featuring. Life took a wicked turn lately, I’m getting divorced after 17 years and well, it is what it is. I really couldn’t face writing about anything for the past weeks until I got a handle on the situation and on myself. Deep breath, and well…. So, on with it. I’ll try and keep at this as consistently as I can, xoxo

be back soon ....


Mt. Desolation // State Of Our Affairs by Stayloose

(if I’m not back in time to tell you, come see Mt. Desolation at Schuba’s on Oct. 30!)

*get their album here

Monday.... it's just Monday with Arborea, Kitty the Lion, and Israel Cannan

Arborea, popped in my mailbox last night. Her lovely, ethereal voice with the bare guitar behind her is a nice way to ease into your work week, eh? I’m giving you just the bare bones today, just music… have at it!

by cat stevens photography

Blue Crystal Fire by Arborea

Kitty the Lion comes to me from one of my favorite tweeters, Lauren. This is all terribly Scottish, buckle up! It’s also very fun, play it again late in the day, it’ll lighten you up.

Kitty The Lion – Gutted by laurenrazavi

I’m an especially bad blogger today, Monday’s drag on for a lot of us, so maybe this will say it for us. I think Israel Cannan sounds an awful lot like Birdlips on this song and that’s not a bad thing at all. It’s interesting how a young man from New South Wales and one from Charlottesville, VA manage to capture the same kind of thing.

Letting Go – Israel Cannan by sgcmedia

Withered Hand sign to Absolutely Kosher, and is reported to be on the way to the US!

You know I love this Withered Hand guy, Dan Wilson. His album, Good News was my top pick for 2009 for many reasons, some sentimental… I sort of fell for someone to the sounds of this record and it will always remind me of him, and some purely rational… I think Dan’s voice is beautiful and interesting and evocative and his songwriting topnotch. The things Dan writes about are everyday subjects that any of us who live in this post-industrial, alienated, anomic society can relate to, in other words, we’re lonely sorts who search for meaning from our past and hope to connect with other fools like us. Dan has been fortunate enough to connect with some other beautiful people like Neil Pennycook and Chris Bryant (vocals/banjo/guitars, of Meursault) and Bart Owl (what does he not play/do? of eagleowl) and Hannah Shephard (cello), Alun Thomas (drums, of The Leg) and others. Not to say that he couldn’t do it on his own, but I’m glad he’s found such good company! What results is a remarkable concoction of “anti-folk” melodies and lyrics which even people who declare they don’t care for folk music find themselves grinning about. Some of it is disturbing, most of it is endearing, all of it is uniquely personal and that is exactly what captures us. xoxo

I’m absolutely thrilled that he’s signed to Absolutely Kosher Records! Please visit his bandcamp pages and transmit a few of your dollars his way, if only so that I’ll finally get to meet this man who wrote these gorgeous songs for me to be giddy over. (cause I’m a selfish bitch!)

<a href="http://witheredhand.bandcamp.com/album/good-news">Good News by Withered Hand</a>

This is a remix that I’ve not heard until just now. I’m not quite sure about it yet either. What do you think?

Don’t forget these earlier releases, they’re wonderful… raw and wild.

<a href="http://witheredhand.bandcamp.com/album/religious-songs">Religious Songs by Withered Hand</a>

<a href="http://witheredhand.bandcamp.com/album/youre-not-alone">You&#8217;re Not Alone by Withered Hand</a>

All of Us/None of Us: Beggar My Neighbour .... Sooner or Later for your Monday headache


Sooner Or Later mp3 All of Us/None of Us Beggar My Neighbour,…. buy it!
This EP haunts me, and October is the perfect month to introduce it to you. Sometimes music sits in my inbox for weeks months and I listen to it after finding it buried in a forest of emails that I’ve not answered or filtered through yet. Sometimes I listen to it for a few more weeks months and then finally let you all in on it. Naughty, huh?! I hope you forgive me for this one. All of Us/None of Us’ Beggar My Neighbour is absolutely haunting.

Chrome users click this player

It’s got that heavy, dark, sexy bass and vocals that emphasize the downbeat, offset by the barest of electronic accenting notes. I’m hearing a couple of bands like this from LA, maybe it’s just me… that bands like this send me their stuff, but I tend to think there’s a little pocket of funked-out, garagey, post-90s bands putting out great music like this. If you go to my search box and put in “Jumpiter” you’ll hear a little bit of what I mean, a slight similarity, an attitude, a DIYness that is at the same time completely professional. All of Us/None of Us have put out their latest EP, Beggar My Neighbour, and it’s a beautiful collection of four tracks, showcasing their bluesy, funk-inspired, California alt-rock.

It’s the songs, of course that are important here, not what I think about the “sound” of what All of Us/None of Us are going for. So I’ll focus on the songs, and songwriting is also what this band does well. And with their new drummer, it’s come together nicely. The static in the background of “Almost Never” with that not-quite Nirvana feel to it, made me sit up and notice, and then the break… it’s the break where the guitar solo starts that makes that song so great, I finally decided. “Ropeless” shows off some lyrical chops, and again, it’s the break… the Beatle-esque guitar strumming that comes so unexpectedly with that funky chorus… that makes it memorable. But it’s “Sooner or Later” that has burrowed into my brain. The chill of the chords as their struck, and of the words; this song is a killer. There’s so many little details to it that on my fifth or sixth listen I’m still finding ways they’ve made it seem so alienated. The way they’ve layered the vocals so that words overlap only at the beginning of some phrases, as if you were coming in and out of a befuddled haze and just piecing it together. And that water-droplet tone that repeats just bores into your head. This song just embodies such a hangover headache, all those bad thoughts you have after a night you’re already regretting.

Eric and Rob are living in the same city finally (LA, in case you missed that part.) They play out once in a while, mostly focusing on producing an EP a year and making really good music. If anyone out there’s heard them live, I’d love a report. I’m smitten with these EPs, I honestly am. I know us bloggers get a bad rap for liking obscure music, as if the more obscure it is the better we think it is. I hope by now you know me better than that. I’d love nothing more than for millions of you to know this band. Go download their EP (and pay a bit more than their suggested $2, eh?!) play a track or two at your next party or on your next mixtape. Send off a tweet about it. That’s how stuff gets started, it’s the little things that add up, honest xoxo

Pure Reason Revolution: Hammer and Anvil... give you their single, Patriarch, just in time for your weekend!

Patriarch mp3 Pure Reason Revolution Hammer and Anvil…. pre-order it now! or from the UK, pre-order here!

Abrasively industrial, only to evolve into a cathartic chant backed by an electronic pulse, Pure Reason Revolution’s newest record begins with a bang. “Fight Fire With Fire” is what every PRR fan had hoped for as a follow up to Amor Vincit Omnia. Chloe Alper’s vocals punch through the carefully laid plain made by guitars and synthesizer. Her defiance is palpable. It is a fitting start to what will be, without a doubt, the turning point for this band, as they break for good with their respectable, prog-rock origins. They took a new route with last year’s album and took a small amount of criticism for it as well. However, the fans they won over seem to have encouraged them to forge even further into this electro-industrial territory. The glorious result, Hammer and Anvil, due out October 18 in Europe and October 25 here in North America, is even wider in scope and purpose than its predecessor.

This is an immense sounding album. Layer upon layer of guitar and keyboard and vocals play out loudly. Don’t fear that this is all studio magic either. Their live show is reported to be just as convincing and powerful as what I’ve got streaming into my headphones. But hear for yourself, “Black Mourning,” which you can have for the cost of a tweet or facebook post, features Johnathan Courtney’s characteristically detached vocals, accompanied by Chloe’s dreamy backing and a sweeping instrumentation. “Patriarch” exemplifies what PRR does particularly well; they have perfected the balance between moments of quiet, harmonized, space and intense, multi-layered blocks of sound (set to a dance-able beat, thanks to Paul Glover on drums and Chloe’s always funky bass.) Even in those soft, sweet moments, dancing is completely feasible. Hammer and Anvil brings a really big story forward; a story of war and defeat and trust and love. And appropriately, it sounds just that big. Jamie Willcox’s guitar lines saw and soar into the air as vocals end on harsh words. Keys are struck with intention as the buzzing and soaring begins again and the song swirls together into a mass of humming noise. “Valour” is another song of this type, these four people sound as if an entire chorus is singing eight or ten parts.

If, like me, you fell in love with this band through their last album, through their songs about love and desire, don’t fear. Hammer and Anvil’s “Never Divide” is more than enough to satisfy any lover of love songs. With it’s epic chorus, this is a song that could have easily been included on Amor Vincint Omnia. It fits here perfectly, making me wonder if Hammer and Anvil should be considered more as AVO part II? Immediately I’m struck in the face with the answer, “no,” as track eight begins, “Blitzkreig” a pastiche of sound bites and music in the vein of The Thrill Kill Kult. We are firmly in industrial house music territory here, and Pure Reason Revolution are making themselves at home. It’s a good place to be.

I hope listeners hear how much Pure Reason Revolution have incorporated the best of more than a few genres into their sound and made a thing of their own. Their press release lists such diverse influences as ELO, the Smashing Pumpkins, The Beach Boys, Soulwax and Depeche Mode. I’ve given you  bands like The Thrill Kill Kult and should add Ayria and Jesus on Extasy to your homework. Familiarize yourself with some of this musical history and see how THIS band has taken the genre further, into more melodic, more musically complex and lyrically meaningful ground. Hammer and Anvil, as a whole package, will be the prod that American audiences need to shake them out of their unfamiliarity of Pure Reason Revolution and its history of incredible talent. Pre-0rder it now! Get this band to us now! xoxo

The Kickback: Sting’s Teacher Years

I can’t get enough of this band. The Kickback is coming to Schubas on Oct. 16th and you should be there to see what I promise you will be a wonderful, exhilarating show! This is a gorgeous video of their new song. Let me know what you think, I’m smitten, … again. xoxo

Until you can get this new EP they’re working on, you’d best get their wonderful Great Self Love…. on itunes

The Kickback: Sting’s Teacher Years from Love Drunk on Vimeo.